Donald Trump has an edifice complex. He is obsessed with building as large as possible, as showy and ostentatious as possible, new somethings, from ballrooms to helipads to triumphal arches. Further, he is hellbent on stamping his name on key buildings already existing – the John F. Kennedy Center for the Performing Arts is the quintessential example. Finally, Trump is intent on destroying significant parts of what was before, such as the East Wing of the White House. It’s his way of erasing America’s past while forcing himself on America’s future.
For months it’s been reported that Trump’s fixation on building has become as constant as consuming. Even during meetings, the president opens “his desk drawer and toys with models of structures that he wants to build. In the evenings, he supervises from the windows of the Executive Mansion as crews work around the clock on the grounds.”* His beloved ballroom is now slated to be 90 thousand square feet – it will double the area of the existing White House.
Trump is not however alone. Other leaders lust after bricks and mortar – though how they do so is different from one to another. Some private sector leaders have an apparently insatiable appetite for real estate that they might or might not personally frequent. Hedge fund manager Ken Griffen has a property portfolio so large it would make the gods blush. It’s worth over 1.5 billion dollars – in Palm Beach alone he has more than 27 contiguous acres. Similarly, Larry Ellison, Executive Chairman of Oracle and one of the richest men in the world. His properties include morsels such as private islands and trophy homes and, of course, the usual commercial investments.
Other business leaders take a different approach, but some are also deeply, very deeply devoted to edifices. Such as Jamie Dimon, longtime CEO of JPMorgan Chase, who from day one was intensely focused on the massive Manhattan skyscraper that he had commissioned to serve as the bank’s headquarters. For six years he and his top executives were deeply involved in creating and shaping his professional but also deeply personal monument to presumably enlightened capitalism.
Described by the Wall Street Journal as “a $3 billion monument to work,” Dimon’s building is one of the most expensive and expansive office towers in America. It extends a quarter mile into the sky and features an impressive array of amenities primarily intended to appease JPM’s labor force. Why? Because everyone who works for JPM is required to be in the office five days a week. Hybrid workweeks are not, in other words, something that Dimon approves.
Leaders’ fondness for concrete is not of course confined to the present nor to the United States. The pyramids, the Taj Mahal, and Versailles are just three of the most famous manifestations of leaders who lusted after edifices. Another contemporaneous example of a leader who built and then built some more – all material, tangible reminders of who rules – is Turkey’s longtime president Recep Tayyip Erdogan. He undertook so massive a construction program that at one point it was consuming more than a quarter of Turkey’s annual GDP. Among his projects was a mosque with a capacity for 37,000 people – it is larger than any ever built by the sultans. And then there is Erdogan’s still relatively new, spectacularly grandiose palace – the White Palace. It is three times the size of Versailles. It covers over 2.1 million square feet. It has 1,000 rooms. And it takes its architectural inspiration primarily from Turkey’s Ottoman heritage.
All of these are however child’s play. At least they are in comparison with the building projects conceived – only some were executed – by the leader who had among the most obsessive edifice complexes of all time. Adolf Hitler. To give a sense of his fixation I turn to Frederic Spotts, author of a splendid book titled, Hitler and the Power of Aesthetics. I cannot rival Spotts’s description of Hitler’s preoccupation.
Of course, monomaniacal leaders always used monumental structures to enhance and perpetuate the glory of their state and their person…. In Hitler’s case, however, the construction of monuments became an obsession, the visible manifestation of his rule…
Lord of the world. Such was what Hitler dreamed of being. Through political and miliary means he hoped to achieve it. And through architecture he intended to manifest it… [To Hitler] great architecture was the outward sign of inward political greatness.
Through the ages countless works of architecture were commissioned by countless leaders. Very few were/are great. Very many were/are not great. Always though there’s a consolation. What goes up can come down.
*Antonia Hitchins, “In His Image,” The New Yorker, September 14, 2026.
